Catégories
Vie de l'église

About 25-30 million live Christmas…

We might not think about buying a Christmas tree and decorating it as a ceremony. But the actions we ritually perform to carry out this annual tradition suggest otherwise: a journey to select a tree we then bring home to adorn with objects imbued with deep meaning, surrounded by people important to us. Unwritten yet « sacred » rules guide the process.

Twenty-five to 30 million live Christmas trees are purchased in the United States each year. Add to that countless artificial trees set up in homes, stores and churches. That prevalence surely makes it one of the most widespread — if mostly unrecognized — American ceremonies.

And this ceremony is still developing and unfinished.

While the ceremony of the Christmas tree draws on centuries of sacred tree traditions from multiple faith perspectives, the Christmas tree attained its incredible cultural power in the U.S. in the last century, expanding outside religious settings and into secular spaces that one might think are the furthest from sacred ceremonies.

The Rockefeller Center Christmas tree tradition started in 1931. The Capitol Christmas Tree tradition began in 1964. Charlie Brown brought the Christmas tree to the center of American popular culture in « A Charlie Brown Christmas » in 1965. In turn, Vince Guaraldi’s soundtrack fills public spaces to this day, bringing the Christmas tree to every corner of our communities.

Now the Indigenous traditions of North America are adding the latest stage in the Christmas tree tradition, calling us to complete the ceremony by honoring the sacrifice of the tree. By doing so, the Christmas tree will help us enter into deeper relationship with the land and see the land’s love for us.

The Christmas tree was an important part of the spirituality of Nicholas Black Elk, the Lakota holy man made famous by the book Black Elk Speaks. In a letter the now Servant of God wrote in January 1908, he detailed the Christmas celebrations of a number of Pine Ridge communities, where the people « had Christmas tree. » On Dec. 23, he went with one community to cut their tree.

« I went to the hill in the trees, » Black Elk remembered, « and they did a great honoring of me. »

The importance of the Christmas tree for Black Elk flowed from Catholic tradition and the Sun Dance, a ceremony around a cottonwood tree traditionally practiced by Plains Tribes and now by tribes across North America. During this four-day fast and dance of purification, the cottonwood tree gathers in and renews the people.

Lakota educator Dave Archambault Sr. wrote in 2016 that there is « a fundamental likeness and comparison behind the meaning of a Christmas Tree and a Sundance Tree. » For Archambault, « both are traditions that embody and symbolize a good way to be with one another. »

The main difference between the Sun Dance and Christmas tree traditions is land. Typically, we do not harvest a Christmas tree with a ceremony that honors its sacrifice and connects us to the land.

Neva Standing Bear explained in Lakota Texts: Narratives of Lakota Life and Culture in the Twentieth Century how her community addressed that difference by honoring the Christmas tree in the same way they honored the Sun Dance tree.

Key to this approach is asking permission and making an offering. For Christmas, Standing Bear said the people went out on the land and chose the tree together, they « laid tobacco around it and they prayed. » Like with the Sun Dance tree, a young girl and boy made the first cuts, then the people carried the tree together to the church without letting it touch the ground.

From a Lakota perspective, the tree is not just a symbol onto which we project meaning but a being that prays with us. At the church, people decorated the Christmas tree with traditional prayer ties, each offering specific petitions.

« Some people say thanks, and some people want peace, » Standing Bear recounted. « Or some people are sick, so they want to get better, or they suffer something, so they also put something on the tree for that reason, » she continued.

When the Christmas season was over, the tree was not thrown away, but respectfully helped on its journey back to the earth. In this case, it was burned in the fire for the Inipi, or sweat lodge, for the purification of the people.

There is a circularity to the Christmas tree tradition in the Lakota context, the bridging of the old and new, of the land and the people. In it, we see the multifaceted work of Indigenous ceremony that Robin Wall Kimmerer describes in her runaway bestseller Braiding Sweetgrass.

Ceremony unites people in a common vision and forges spiritual connection to land and relatives on which people depend. « Ceremonies transcend the boundaries of the individual and resonate beyond the human realm. These acts of reverence are powerfully pragmatic. These are ceremonies that magnify life, » says Kimmerer.

Like for Black Elk and Standing Bear, the Christmas tree bridges the old and new for us today, only in reverse.

Contemporary, American, non-Indigenous society has a few meaningful civic ceremonies, like graduation, Kimmerer argues, but the « ceremonies that endure are not about land; they’re about family and culture, values that are transportable from the old country. Ceremonies for the land no doubt existed there, but in a sense they did not survive emigration in any substantial way. »

Except for the Christmas tree. The Christmas tree tradition came from « the old country » and not only survived, but expanded in importance here in Turtle Island, an Indigenous name for North America. The Christmas tree ceremonially stands in the middle of our families, communities and our nation, and like the Sun Dance, renews us — magnifying life.

We only need to add our ceremonial gratitude to fully participate in the circular call and response between the people and land, what Kimmerer calls a « relationship of loving respect and mutual caregiving. » Something that has already happened at one of America’s most important Christmas tree ceremonies.

When the Utes of southwest Colorado provided the nation with the 2012 Capitol Christmas Tree, they chose the « tallest and most beautiful looking tree in the forest, » Bradley W. Hight, vice-chairman of the Ute Mountain Ute Tribal Council explained. They honored it before cutting with a ceremony from the Sundance Way and sent it on its journey to the U.S. Capitol to help bind the people of Turtle Island together.

« We hope this tree will bring unity, » Gary Hayes, the tribal council chairman said.

Many of us already carry out a Christmas tree ceremony in our homes, whether we have thought about it in that way or not. If we follow the example of our elder sisters and brothers on this land, we can imagine new practices informed by but not taken from them: make an offering, ask permission and honor the gift of the Christmas tree’s life and the work the Christmas tree does.

« There is wisdom in regenerating [ceremonies from the old country] here, as a means to form bonds with this land, » said Kimmerer. We can grow the roots of the Christmas tree tradition in a meaningful way by not only recognizing our part in the ceremony, but also the role of the tree and all to which it points during this season of renewal.

Catégories
Vie de l'église

An unprecedented crisis of…

An unprecedented crisis of confidence is shaking a historic center of Catholicism in Germany — the Archdiocese of Cologne. Catholic believers have protested their deeply divisive archbishop and are leaving in droves over allegations that he may have covered up clergy sexual abuse reports.

While Cardinal Rainer Maria Woelki’s personal fate is in the hands of Pope Francis, the drama has reverberations nationwide, given that the Cologne archdiocese has more Catholics than any other in Germany — about 1.8 million. Its double-domed cathedral is an iconic tourist attraction and one of the oldest, most important pilgrimage sites of Northern Europe.

And the crisis in Cologne, in which many thousands of Catholics in the region have left the church, is in some ways a microcosm of the issues playing out in the German Catholic Church as a whole as it undergoes a profound and controversial reform process precisely to respond to complaints by rank-and-file Catholics about the hierarchy’s responsibility for the clergy abuse crisis.

Some archdiocese employees have refused to attend meetings with the archbishop. Congregants of a Duesseldorf parish in the archdiocese raised red cards in protest when he visited last year, objecting to him administering the sacrament of confirmation to their children.

Dozens of altar boys and girls from the archdiocese turned their backs in protest to Woelki when he celebrated Mass with them during a trip to Rome in October. The choirs in the archdiocese recently reported a loss of 30% of their members, which they say is partially related to the coronavirus pandemic but also a clear repudiation of Woelki.

In the latest escalation, Cologne prosecutors last month opened an investigation against the powerful conservative cardinal in two cases on suspicion of making false affidavits. In each case, the question is whether Woelki, 66, had been informed earlier than he stated about allegations of abuse against certain clergymen. The cardinal rejects all accusations against him.

Even influential German politicians who normally steer clear of church politics have spoken out.

The minister for youth and family in the state of North Rhine-Westphalia, where Cologne is located, said she viewed the situation with bewilderment.

“Especially those in positions of responsibility must not look the other way and they must certainly not deny or cover up,” Josefine Paul said last month in a speech in the state parliament.

The church is expected to be a preeminent model of morality, and it has « set the highest moral standards for all kinds of people in society — does all this no longer apply to a bishop? » Tim Kurzbach, chairman of the diocesan council of Catholics in the archdiocese, told The Associated Press.

Kurzbach, mayor of the town of Solingen in the archdiocese, said he knows of several long-time parishioners who are leaving the church because they can no longer bear “the moral decay” in Cologne.

The crisis of confidence began in 2020, when Woelki, citing legal concerns, kept under wraps a report he commissioned on how local church officials reacted when priests were accused of sexual abuse. That infuriated many Cologne Catholics. A second report, published in March 2021, found 75 cases in which high-ranking officials neglected their duties.

The report absolved Woelki of any neglect of his legal duty with respect to abuse victims. He subsequently said he made mistakes in past cases involving sexual abuse allegations but insisted he had no intention of resigning.

Two papal envoys were dispatched to Cologne a few months later to investigate possible mistakes by senior officials in handling cases. Their report led Francis to give Woelki a “ spiritual timeout ” of several months for making major communication errors.

In March, after his return from the timeout, the cardinal submitted his offer to resign but so far Francis has not acted on it.

“I don’t think it got through to Rome how much the people here are suffering,” Kurzbach said. “Without a decision on the Cologne cardinal question, we will not get out of the crisis. The question must finally be resolved.”

The issue was raised when Germany’s bishops visited with the pope last month. The head of the German Bishops Conference, Limburg Bishop Georg Baetzing, told reporters that “it was made very clear that the situation in the archdiocese is increasingly unbearable, even for the archbishop.” The wait for a papal decision also is burdensome for German Catholics, he said.

In the interim, they are exiting the church in record numbers. Some 44,772 Catholics in the Cologne archdiocese left in 2021, up from 17,281 in 2020, according to church figures.

Nationally, the number of Catholics leaving the church has also risen dramatically. Some 359,338 left in 2021, up from 221,390 in 2020. It is still the largest faith group in the country. About 21.6 million Catholics live in Germany, which has an overall population of 84 million.

“It’s clear that this is a difficult situation,” Cologne archdiocese spokesman, Juergen Kleikamp, told the AP last week. “But that’s just the way it is. In the Catholic Church, the pope has to decide and no one else.”

Meanwhile, Woelki is “doing his work to the best of his knowledge and also with great commitment,” Kleikamp said, adding that while some Catholics “are angry and quarrel with their church, there are others who applaud and rejoice when the bishop comes.”

Many Catholics, however, doubt the crisis can be easily fixed any time soon — even if the cardinal resigns.

Lay leader Regina Oediger-Spinrath, 61, called it “an absolute crisis of trust and credibility.” She is a spokeswoman for the professional association of pastoral assistants in the archdiocese, and thinks the crisis goes beyond the Cologne situation. Oediger-Spinrath said fundamental changes are needed, including more equality for women and LGBTQ people.

“Leadership needs to be rethought,” she said. “The way it is in the Catholic Church, that is absolutely hierarchical, some also say authoritarian from the top down — I believe, that many people no longer want to go along with that.”

Those demands are in line with the reform process, known as the “ Synodal Path, » the German church launched with the country’s influential lay group, the Central Committee of German Catholics, to respond to the clergy sexual abuse scandals after a 2018 report found at least 3,677 people were abused by clergy between 1946 and 2014.

Preliminary assemblies have already approved calls to allow same-sex couple blessings, married priests and the ordination of women deacons. The movement, however, also sparked fierce opposition from the Vatican and conservative clergy in Germany and elsewhere.

While Oediger-Spinrath says she is ready to fight for changes, others have lost patience.

“I will leave the church,” says Peter Barzel, 65, a member of the St. Margareta parish in Duesseldorf. He helped organize last year’s red card protest during Woelki’s visit.

Barzel, an active parishioner for decades, also tried to bring more attention to recent sexual abuse allegations lodged against two former St. Margareta pastors that have roiled the parish. Eventually, he gave up.

“I will certainly miss something when I leave the church, because the Christian faith is something you share with other people,” he said. “But I can no longer support this system.”

Catégories
Vie de l'église

One of the Vatican’s leading…

One of the Vatican’s leading Jesuit advisers on preventing clergy sexual abuse called Dec. 7 for church authorities to shed more light on the case of a famous Jesuit artist who wasn’t sanctioned by the Holy See after he was accused of spiritually abusing women during confession.

Jesuit Fr. Hans Zollner said the recent statement by the Jesuit order about Fr. Marko Ivan Rupnik « raised questions that, as far as I see, can only be answered by the Dicastery for the Doctrine of the Faith. »

The Jesuits said in a statement made public this week that the Dicastery, which handles abuse cases, had closed its file on Rupnik, one of the most famous Catholic artists alive today, because the statute of limitations had expired.

The order said precautionary measures imposed on the priest by his Jesuit superior remained in effect, forbidding him from hearing confession or giving spiritual direction.

Usually the Dicastery waives the statute of limitations for prosecuting abuse and confession-related church crimes since victims often take longer than the 20-year limit to process their trauma and report the abuse. There was no explanation why that didn’t occur this time, or whether Pope Francis, a fellow Jesuit who met with Rupnik in January, had any role in the decision not to sanction him.

Mosaics by Rupnik decorate the Lourdes basilica, a chapel in the Apostolic Palace and churches around the globe, and his artwork is regularly used by the Vatican, including as recently as this year when he designed the logo for the World Meeting of Families.

Rupnik was for years the head of a Rome-based center for study about the impact of culture on the Christian faith, the Aletti Center, with which the Dicastery’s former No. 2 official was long affiliated.

The Jesuit statement didn’t reveal the nature of the allegations against Rupnik other than to say they didn’t involve minors and concerned the way he « exercised his ministry. » Italian news reports have said they concerned spiritual and sexual abuse of adult women during confession.

Confession-related crimes, which are also handled by the Dicastery, are among the most serious in canon law and carry with them automatic excommunication.

Zollner said it was his « firm belief that transparency in the Church, including the Society of Jesus, is essential in order to combat the scourge of abuse in all its forms. » Zollner heads the Pontifical Gregorian University’s anthropology institute for studies on human dignity and care and is also a founding member of Francis’ child protection advisory board.

There was no immediate response to calls and emails seeking further comment from the Jesuits and the Vatican on Dec. 7.

Another Jesuit made clear his unease with the way the case was handled, calling it the « Rupnik tsunami, » and demanded a full, transparent accounting.

Jesuit Fr. Gianfranco Matarazzo, former head of a Jesuit institute in Palermo, Sicily, wrote a series of tweets saying the case, as presented to date, amounted to a « paradigmatic case of justice denied. » He called for the opening of archives and explanations.

Catégories
Vie de l'église

Homeland Security Secretary…

Homeland Security Secretary Alejandro Mayorkas Dec. 5 announced a redesignation of Temporary Protected Status for Haiti and an extension of TPS for Haitian migrants already residing in the United States for an additional 18 months, from Feb. 4 through Aug. 3, 2024.

He said this « much-needed humanitarian relief » for Haitians was compelled by current conditions in Haiti such as « socioeconomic challenges, political instability, and gang violence and crime — aggravated by environmental disaster. »

Mayorkas’ decision came « after consultation with interagency partners and careful consideration of the extraordinary and temporary conditions in Haiti, » said a news release from the Department of Homeland Security.

It said the Caribbean nation has endured a prolonged political crisis, as well as « grave insecurity and gang crime that worsened a dire economic situation; a lack of access to food, water, fuel and health care during a resurgence of cholera; and the recent catastrophic earthquakes. »

Executive director Gustavo Torres of CASA, an immigrant advocacy organization in Hyattsville, Maryland, said the Biden administration’s decision « restores security to our Haitian brothers and sisters that their lives here in the United States will not be uprooted nor that they will be separated from their families. »

« As we celebrate this win, we will continue to shed light on the millions of migrants still waiting on TPS designation for their countries, » Torres said. « The fight for immigrant justice continues as the fate of DACA holders and DACA-eligible youth hangs in the balance. »

He added, « We will not rest until the Deferred Action for Childhood Arrivals program and other protections are provided for the millions of immigrants that have built lives in this country. »

DACA was authorized by the Obama administration in 2012. It protects young adults brought into the country illegally as minors — giving them a reprieve from deportation and allowing them to get the documents they need to work and drive.

But in October of this year, a three-judge panel of the 5th U.S. Circuit Court of Appeals in New Orleans affirmed a lower court’s ruling last year that said the Obama administration did not have the legal authority to create DACA in the first place.

The appeals court did not say the program had to completely shut down or stop processing renewal applications, but it left in place last year’s order from Judge Andrew Hanen of the U.S. District Court for the Southern District of Texas. He ruled DACA could continue only for current recipients with no new participants.

The Washington Post was the first to report Dec. 5 that two members of the U.S. Senate are working on a bipartisan framework for immigration reform that would allow a pathway to citizenship for the DACA recipients, known as Dreamers.

According to the Post, the framework proposed by Sens. Kyrsten Sinema, D-Ariz., and Thom Tillis, R-N.C., also provides for:

— $25 billion to $40 billion in increased funding for Border Patrol and border security, « including a commitment to hiring more agents and increasing their pay. »

— An extension of Title 42 until a formal plan is in place to stop an expected surge of migrants at the border. The public health rule has allowed U.S. authorities for health reasons to expel more than 1 million migrants who illegally crossed the U.S.-Mexico border. Under the proposed framework, the law would remain in effect for at least a year, while processing centers are set up.

— An overhaul of the asylum system « to prevent abuse of the law. »

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La chaine de KOFC

Knights Provide Coats for Kids on Black Friday

PrésentationPresseDroits d’auteurNous contacterCréateursPublicitéDéveloppeursSignalez un contenu haineux conformément à la LCENConditions d’utilisationConfidentialitéRègles et sécuritéPremiers pas sur YouTubeTester de nouvelles fonctionnalités

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Vie de l'église

« There was only one person who…

The Kennedy Center Honors, on its 45th occasion, recognized singer and songwriter Amy Grant, marking the first time the top cultural distinction was given to a contemporary Christian musician.

« There are stories of tenacity, stories of faith, stories of unfettered creativity and stories of endurance, » said actress and 2002 honoree Chita Rivera at the Dec. 4 event that highlighted the « queen of Christian pop » along with actor George Clooney, singer Gladys Knight, Pulitzer Prize-winning composer Tania León and the rock band U2.

« Tonight, we broaden that spectrum to include for the first time ever a contemporary Christian music artist, Amy Grant, » she said. « In her amazing 40-plus years, Amy has logged success after success without ever compromising her faith or her individuality. »

In a brief red-carpet interview just before the black-tie event, Grant said she hoped to live up to the honor in representing the genre.

« Well, I’m a little bit of a rascal; I hope I do them proud, » she said, laughing.

Her arrival at the Kennedy Center came less than five months after a bike accident and hospital stay — neither of which the musician can remember — that forced her to postpone some concert dates.

Grant, who described herself as « doing well, » said she appreciated being back on tour and at the Kennedy Center, even if it felt a little overwhelming after her extended time of rest.

« I felt like I was feeling really confident on my two-mile-an-hour treadmill and then I merged onto Interstate traffic, » she said. « Just did my first show last week. And this has been such a beautiful way to reengage. »

Grant, 61, has six Grammys and more than 20 Dove Awards from the Gospel Music Association. The Gospel Music Hall of Fame honoree signed her first record deal at age 17.

She became the first contemporary Christian musician to have a No. 1 hit on the pop charts with « Next Time I Fall, » a 1986 duet with Peter Cetera of the band Chicago. Five years later, her fame spread with « Baby, Baby, » a hit from her 1991 platinum album « Heart in Motion. »

Gospel Music Association president and executive director Jackie Patillo, who described Grant as « a Christian music sweetheart, » said it’s a « big deal » that the Kennedy Center has taken this step to honor an artist who crossed over to mainstream pop and served as an ambassador of the Christian music subgenre.

« I think that Amy Grant lives a very holistic life in that her faith is just a part of everything that she does, and so whether her music is being acknowledged or played on pop radio or CCM (stations), she’s, still, consistently Amy Grant, » said Patillo.

« The way God has used her has stretched the industry and the church. »

Grant, who, like other honorees, sat in an Opera House balcony not far from President Biden, Vice President Harris and their spouses, drank in the praise without having to take the stage to speak or perform.

In the audience of more than 1,900 were actresses Anna Deavere Smith and Julia Roberts, politicians Sen. Mitt Romney, R-Utah, and Rep. Joyce Beatty, D-Ohio, and Dallas megachurch pastor T.D. Jakes and Grant’s first record producer Brown Bannister.

Kennedy Center Board Chair David Rubenstein acknowledged the significance of the recognition of contemporary Christian music.

« We felt that it was long overdue, » he told Religion New Service. « There was only one person who could really fulfill that requirement, and that was Amy. »

Gospel artist CeCe Winans echoed Rubenstein’s comment when she appeared with her brother BeBe on the red carpet shortly before the event began but started with an exuberant « Woo! »

« We’re so excited, » she said. « It’s been a long time coming. But she’s a perfect person to open up that door. And so we’re excited about that. »

Added her brother: « Amen. »

Later on stage, the Winans duo joined to fete Grant in a medley featuring her songs, « Sing Your Praise to the Lord » and « El Shaddai, » as CCM artist Michael W. Smith played the piano and the Howard Gospel Choir added their voices.

When the show opened with the national anthem, singer Tricia Yearwood joined the choir, directed by Kirk Franklin, for an upbeat version of the patriotic tune. The background included a moonlit sky, the Washington Monument, Lincoln Memorial, U.S. Capitol and a waving American flag.

Prior to the event, Smith said he was thrilled to see his longtime friend honored for her role in music, including the subgenre she helped him enter.

« I wouldn’t be standing here talking to you if it hadn’t been for Amy, » he told RNS as he appeared at the event before continuing their joint Christmas tour this week. « I was her opening act in 1982. »

Others in and beyond the music industry spoke of Grant’s influence on and off the stage.

Sheryl Crow, who sang Grant’s « Baby, Baby » in her honor, spoke of how Grant had inspired her as a musician, mother and friend.

« Amy Grant’s music had a profound effect on me as a young college student, » said Crow. « Her music was a staple with her deeply soulful voice and her uplifting message of hope and faith, » said Crow. « Amy also taught me that it was possible to be funny, irreverent and Christian all at the same time. »

The segment of the program honoring Grant included video clips of her four children speaking of times when they accompanied her on tour when they were young, inspired a song — she wrote « Baby, Baby » about daughter Millie — or appeared on « The Tonight Show with Jay Leno, » as was the case with daughter Sarah when she was a baby.

A glitch with a guitar caused an awkward pause as country musicians The Highwomen prepared to sing « Somewhere Down the Road » for Grant and the audience.

« We love you Amy, » someone shouted before the program moved ahead after a « technical difficulties » announcement.

Veteran broadcaster Katie Couric, a close friend of Grant’s, added to the chorus of accolades, speaking about lessons Grant had heeded.

« Amy, you once shared the four words your sweet mom said to you, words you’ve never forgotten: Sing something that matters, » Couric said. « Well, you’ve done it and you’re still doing it. »

A two-hour presentation of the Kennedy Center Honors, which lasted more than three hours, will air on CBS at 8 p.m. EST/PST on Dec. 28.

Catégories
Vie de l'église

The Supreme Court is hearing the…

The Supreme Court is hearing the case Dec. 5 of a Christian graphic artist who objects to designing wedding websites for gay couples, a dispute that’s the latest clash of religion and gay rights to land at the highest court.

The designer and her supporters say that ruling against her would force artists — from painters and photographers to writers and musicians — to do work that is against their faith. Her opponents, meanwhile, say that if she wins, a range of businesses will be able to discriminate, refusing to serve Black customers, Jewish or Muslim people, interracial or interfaith couples or immigrants, among others.

The case comes at a time when the court is dominated 6-3 by conservatives and following a series of cases in which the justices have sided with religious plaintiffs. It also comes as, across the street from the court, lawmakers in Congress are finalizing a landmark bill protecting same-sex marriage.

The bill, which also protects interracial marriage, steadily gained momentum following the high court’s decision earlier this year to end constitutional protections for abortion. That decision to overturn the 1973 Roe v. Wade case prompted questions about whether the court — now that it is more conservative — might also overturn its 2015 decision declaring a nationwide right to same-sex marriage. Justice Clarence Thomas explicitly said that decision should also be reconsidered.

The case being argued before the high court Dec. 5 involves Lorie Smith, a graphic artist and website designer in Colorado who wants to begin offering wedding websites. Smith says her Christian faith prevents her from creating websites celebrating same-sex marriages. But that could get her in trouble with state law. Colorado, like most other states, has what’s called a public accommodation law that says if Smith offers wedding websites to the public, she must provide them to all customers. Businesses that violate the law can be fined, among other things.

Five years ago, the Supreme Court heard a different challenge involving Colorado’s law and a baker, Jack Phillips, who objected to designing a wedding cake for a gay couple. That case ended with a limited decision, however, and set up a return of the issue to the high court. Phillips’ lawyer, Kristen Waggoner of the Alliance Defending Freedom, is now representing Smith.

Like Phillips, Smith says her objection is not to working with gay people. She says she’d work with a gay client who needed help with graphics for an animal rescue shelter, for example, or to promote an organization serving children with disabilities. But she objects to creating messages supporting same-sex marriage, she says, just as she won’t take jobs that would require her to create content promoting atheism or gambling or supporting abortion.

Smith says Colorado’s law violates her free speech rights. Her opponents, including the Biden administration and groups such as the American Civil Liberties Union, the NAACP Legal Defense & Educational Fund, disagree.

Twenty mostly liberal states, including California and New York, are supporting Colorado while another 20 mostly Republican states, including Arizona, Indiana, Ohio and Tennessee, are supporting Smith.

The case is 303 Creative LLC v. Elenis, 21-476.

Catégories
Catholisisme

Tranquillitas Ordinis

(Second Sunday of Advent-Year A; This homily was given on December 4, 2022 at the Church of Santo Spirito in Sassia in Rome, Italy; See Isaiah 11:1-10 and Matthew 3:1-12)

Saint Augustine (354-430)
Catégories
Vie de l'église

Scripture for Life: John tells us…

« The kingdom of heaven is at hand! »

« In that great gettin’ up morning, fare thee well, fare thee well. »

John the Baptist proclaimed the first of these statements, the second is from a traditional spiritual. Both refer to the coming of God’s chosen redeemer-judge. In third grade, when I learned that the final judgment would reveal all our sins, I agonized over the fact that my teacher would know that I had whispered that I hated her. With images like John’s winnowing fan and unquenchable fire, preaching about Christ’s second coming is generally designed to inspire fear and repentance. I had gotten the message.

The spiritual, « In That Great Gettin’ Up Morning, » celebrates a joyous alternative to God’s impending wrath. Perhaps because it springs from the heart of people who had been treated unjustly, the song proclaims judgment day as a day of jubilation.

For the singers, Isaiah’s shout of, « On that day! » refers to the « great, great gettin’ up morning, » when God will tell Gabriel to blow the horn loud enough to awaken the nations but not to frighten God’s people. The words, melody and rhythm of the song harmonize in a proclamation that God’s people will rejoice on the day of judgment. The contrast in images between a day of wrath and that gettin’ up morning invites us to think anew about the coming of God’s reign and to let renewing images inspire us.

Isaiah unites images of past and future to inspire our present moment. He envisions the advent of a redeemer whose ancestral roots include the pagan widow Ruth, her son Jesse, and her grandson, King David. (See the Book of Ruth and 1 Samuel 16.) Isaiah says that God’s envoy will perceive what lies deep behind every facade or humiliation. He will rectify injustice, unveiling the depths of each person. Tenderly loving the afflicted, the savior will call the wicked to account.

Isaiah wants to inspire dreams. He wants us to envision universal peace: a time when all creatures — from widow to queen, from lion to lamb — will have evolved beyond aggression because we enjoy and share everything necessary for genuine thriving. That’s what life will be like on God’s holy mountain.

The question is, how do we get there? Enter John the Baptist. Before we dwell on Isaiah’s mountain, John draws us into the desert. John’s desert isn’t primarily a place of fear or want. In Israel’s collective memory, the desert was an in-between space, a time and place of growth. While in that desert, they accused God and Moses of leading them out to die of thirst. They complained about missing the good food of Egypt. They spent some time practicing idolatry and they trembled at the signs of God’s presence. Gradually, the former slaves became a people of God. In the austere and strangely fertile setting of the desert, a locale matched to his clothing and diet, John summoned his people to metanoia.

Metanoia, translated here as repentance, is quite distinct from being sorry and making a firm purpose of amendment. Metanoia is an exciting, life-giving shakeup and shift of outlook. John summoned his people to metanoia, not because they are sinners, but because the kingdom of heaven was at hand. Sorrowful repentance and metanoia propose quite different approaches to change. Repentance concentrates on self: myself as perpetrator and my offense. Metanoia is a response to an invitation that focuses on God’s promise that something new is in the offing. It is an invitation to a conversion of mindset. It is so radical that we don’t seem to have an English word capable of communicating it. Nevertheless, practicing it will change our lives.

John preached a message about God’s future. He called it the kingdom of heaven; Isaiah described it as life on God’s holy mountain. In his letter to the Romans, Paul spoke of it as the internal and collective harmony that flows from life in Christ Jesus.

John summarized his message with the proclamation: « Prepare the way of the Lord. » He heralded something new. He did not belittle the temple and synagogue, but warned his audiences that membership in a religious tradition made them no holier than pavement stones. For John, belief necessarily included the zest for life that comes from the fire of the Holy Spirit.

John tells us to prepare, to ready ourselves for the coming of God’s reign. Isaiah tells us that « the earth shall be filled with the knowledge of the Lord. » Now is the time to envision what that can mean and to begin to act as if it were true. Now is the time to allow that great, great gettin’ up morning to inhabit our imagination and inspire our activities. Let us prepare the way of the Lord!

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Vie de l'église

« Andor » might just be some of the…

We often know how « Star Wars » stories will end well before they begin.

Remember in 1999 when we all rushed to see « The Phantom Menace »? We met a young Anakin Skywalker — but even before he showed up onscreen, we knew he’d fall to the dark side, becoming the eventual dark lord himself: Darth Vader.

Remember how cool it was to see Yoda fighting Chancellor-turned-Emperor-slash-secret-Sith-Lord Palpatine with that buzzing green lightsaber in 2005’s « Revenge of the Sith »? It didn’t matter how strong he was, that little green guy was destined for exile on Dagobah.

Even as recently as « The Mandalorian » and « The Book of Boba Fett, » we see Jedi Master Luke Skywalker in all his Force-wielding glory. Wow! Amazing! Think of the action figures! And yet, pretty soon he’ll be throwing back green milk all alone on that porg-infested planet, Ahch-To.

What is it about « Star Wars » that draws us back to stories that have already concluded?

The most recent installment in the franchise, « Star Wars: Andor, » wrapped its first season on Disney+ last month. And though the second and final season is already in production, those of us who have seen 2016’s « Rogue One » know how it will end: Cassian Andor is killed by the Death Star after successfully stealing that same superweapon’s plans and beaming them up to the waiting Rebel fleet. (Further spoilers for 1977’s « Star Wars »: Those are the very plans Luke Skywalker relies upon to destroy the Death Star.)

« Andor » might just be some of the very best « Star Wars » out there. As a storytelling endeavor, « Star Wars » does a masterful job adding layer upon layer to supposedly settled canon. We learn more, we see more, we hear the story from a new perspective and change, ever so slightly, what we thought we knew.

In « Andor, » we see a new side of the burgeoning Rebel Alliance. And it isn’t always pretty.

In Genevieve O’Reilly’s portrayal of the legendary senator-turned-Rebel leader Mon Mothma, we see the heartbreaking choices and daily risks taken to fund rebellion behind the scenes.

In Stellan Skarsgård’s Luthen Rael, we struggle with the ethics of sacrificing people for the greater good — just as the cause may be, evil as the enemy may be.

And in the relationship between Faye Marsay’s character, Vel Sartha, and Varada Sethu’s Cinta Kaz, we glimpse the interpersonal struggle to build something intimate while fighting for something galactic.

And those are the good guys!

We see a new side of the Empire, too, one that doesn’t shy away from torture, slaughter, brutal imprisonment and callous disregard for any and all life.

But ultimately, we see Cassian Andor, vividly portrayed once more by Diego Luna. We see him go from casual thief to mercenary to prisoner to full-throated rebel. We see him edge closer and closer to the hero we’ve already met in « Rogue One. »

The path is a bumpy one. There’s blood on his hands — lots of it — and not all of it necessary. His actions lead to others’ deaths, and he seems to abandon his family in their hour of need for a pleasure planet. He dupes his friends and allies; he steals.

« Andor » does undoubtedly give us a darker take on « Star Wars. » And while we know how it ends, we see more vividly the suffering, death and difficult decisions that ultimately got us to Luke’s fateful run through the Death Star trenches way back in 1977.

But dark as « Andor » is — with its grisly killings, its traumatic torture, its contempt for prisoners and its wayward heroes — I believe it’s a story of hope and redemption. How can it not be? Hope and redemption are at the very core of « Star Wars. » We’ve just never seen the stakes so brutally played out.

We know how the story ends: We know Andor sacrifices himself for others, for the greater good.

And I wonder, for those of us of a Christian persuasion, if we might glimpse something of the Gospel story here. Because we know how that story ends, too. We know Jesus sacrifices himself; God wins the day. And yet, we know that story is still unfolding; we write our own chapter daily.

Do we struggle with suffering and death and difficult decisions? Do we always get it right? Cassian Andor is not Jesus — and neither are we. But the call Andor responds to is the same call Christ issues each of us: Keep going, keep muddling through, keep doing your best for the good of all.

That’s the call of hope — and the manifestation of that hope in the daily, mundane, nitty-gritty reality of our everyday life is the work of redemption. That’s where the Holy Spirit comes to us, in those dark moments when we could just as easily give up. Instead, we turn back to the light, again and again and again.

(Spoiler ahead.) Cassian Andor mutters the final words of the season: « Take me in. » He’s talking to Luthen Rael, a plea to join the Rebel cause.

But those words could just as easily find their way to our lips as we wrestle with hope and redemption and the working of the Spirit in our lives. We know how the story ends, but we don’t yet know fully the part we will play.

All we can do is throw ourselves at the Spirit and mutter, « Take me in. » And then, we muddle on.